Little Terrors Volume 4 (Toronto) – Guest Blogger Phil Graves Returns

Hand drawn art from Kevin Hutchinson (www.secondskincreations.net)

Editor’s note: Last month my doctor told me that I had a serious case of the shivers and creeps, as a result he restricted my film diet to Hollywood fare like 2011’s The Thing and Don’t be Afraid of the Dark, you know, movies that aren’t all that scary. Unfortunately, this means that I am unable to watch the terrifying shorts at Little Terrors, the monthly horror short film festival in Toronto. I sent horror correspondent Phil Graves in my place last time, and considering his sometimes less than tactful manner I expected some angry e-mails from sensitive readers. I only received one comment, a letter sitting on my desk:

Dear Entertainment Maven,

I really dug the coverage of Little Terrors by the despicably talented Phil Graves. You should really give him a raise, buy him a new shovel, and send him to cover a Toronto After Dark film.

Filthily yours,

Phil Bill Traves

Thanks for your comments Bill. I’ve decided to let Phil return today with coverage of Little Terrors Volume 4. As you already seem to know, I will be covering every Toronto After Dark Film, and tickets are still available to many shows, but going fast. I will consider your idea of sending Phil to cover one of the films, but don’t get your hopes up.

Readers, for the second time, I give you Phil Graves. God help us all.

Entertainment Maven

The 6th Annual Toronto After Dark Film Festival, 8 Nights of Horror, Sci-Fi, Action, and Cult Movies runs Oct 20-27, 2011 at the Toronto Underground Cinema. For complete festival info visit www.torontoafterdark.com

Good Evening,

These miserable economic times are really starting to bring me down. Just last night I had to make my dreaded stew with some of the scrawniest rats I’ve ever seen, the fat ones must have moved on to the swanky cemetery on the rich side of town. I even tried hosting a singles night at the cemetery to  scare up some extra cash, but two-for-one burials in the same casket didn’t seem to grab people’s attention. Only one chap showed up. He was fairly insistent on waiting for a pretty lady to join him, but it was getting late so I buried him for half the price. He tried to argue for a later burial date, but I couldn’t do him wrong. I’m an honest business man.

As I was saying, times are tough, but luckily eight bucks still gets you into Little Terrors, the monthly horror short film festival at The Projection Booth in Toronto. Little Terrors is presented by the nameless amorphous creature that Rue Morgue keeps behind lock and key in their basement, and the insane film-making scientists at Unstable Ground. It should be noted that grotesque creation Justin McConnell has been stitching together some of the most frightening shorts out there, with the result being two-hour sojourns into madness.

Little Terrors Volume 4 was by far the most unsettling night yet. The haunting Danse Macabre, the unfathomable employment depicted in Tea Break, and the descent into zombie mayhem aptly titled Axed, caused me to miss a fair bit of shuteye later that night. In fact, I had to sleep with my cemetery issued night light on, specifically reserved for these type of episodes. I may be a sick bastard, but I’m still human, kind of.

The creators of animated shorts Raven’s Hollow and Scayrecrow also managed to make my heart skip a beat. And here I thought animated movies were for kiddies. Finally, the Lovecraft inspired Black Goat gave the audience a glimpse of eldritch horrors. With a feature length film potentially looming on the horizon, this could be one to keep an eye on.

The next installment of Little Terrors will be shown on Tuesday, November 22nd at 8pm. Join the Facebook page for unseemly updates. Remember dear readers, if I don’t see you at Little Terrors, but see you somewhere else instead, you had better hope that I don’t have my shovel with me, and a soft patch of dirt nearby.

Filthily yours,

Phil Graves

Little Terrors Volume 4 – Tuesday October 18th (8pm) at the Projection Booth in Toronto

Hand drawn art from Kevin Hutchinson (www.secondskincreations.net)

The next installment of Little Terrors is tomorrow night, 8pm at the Projection Booth (1035 Gerrard East – take the College street car) in Toronto. Little Terrors is a two hour viewing of some of the coolest and scariest short films out there. Tomorrow night will be the Toronto premiere of Axed which is going to be bloody as hell!

If you aren’t sure about coming, just check out the review of Little Terrors volume 3 by Entertainment Maven guest blogger, Phil Graves. He’s a little rough around the edges, but he’s cheap. During these hard times, this is an acceptable combination.

See you tomorrow night!

Green River Killer: A True Detective Story – Review

Image is not the property of Entertainment Maven

I never get very excited when a work of fiction purports to be based on a true story. My love of the weird and mysterious has drawn be toward prolific fiction authors such as H.P. Lovecraft, Colin Wilson, and Richard Laymon. At the same time it also pushes me away from the evening news, filled with mundane, although horrific, car accidents, fires and shootings. I’m not a believer in the saying ‘truth is stranger than fiction’. Look at the breadth of fantastic villains that horror authors and film makers have at their disposal. Mad scientists, ravaging werewolves, thirsty vampires and hungry zombies are the perfect ingredients for a sleepless night. However, there is one villain that often bridges the gap between fiction and reality; the serial killer.

I don’t find myself to be attracted to serial killer stories very often. For the most part, these books and films are cookie cutter tales about the inhumanity of a killer, and a recounting of the slaying of many helpless victims. It seems obvious that companies and producers are simply trying to cash in on someone’s notorious reputation. The reality factor of these stories, the reality with real victims and their real families, causes me to have trouble seeing the entertainment value of these pursuits. I’m not arguing that these stories should not be told, just that they should be told with more purpose and in a different style. It seems like Jeff Jensen and Jonathan Case have answered my silent pleas with a graphic novel from Dark Horse, Green River Killer: A True Detective Story.

Gary Leon Ridgway was dubbed the Green River Killer after killing numerous women during the 80’s and 90’s, and leaving the bodies of his first five victims in the Green River (Washington state). In 2001 Ridgway was arrested, and as the result of a plea bargain, attempted to avoid the death penalty by providing police with the location of more of his victims, who were still listed as ‘missing’. Green River Killer focuses on the 188 days that detectives spent interviewing Ridgway, as the result of the plea bargain. It is the story of Gary Ridgway, his sorrowfully many victims, and the police officer who lived the case for twenty years, Tom Jensen.

The author, Jeff Jensen (Detective Tom Jensen’s son), mixes past and present in a twisting narrative that can be confusing at times, but for the large part manages to enthrall the reader. I’m living proof, I read the novel in one sitting. Also, when confusion does set in, it’s easy enough to flip back a page or two and sort out what period of time it is. Jeff Jensen unfolds the horrific story in a methodical fashion, giving the reader only a sliver of information at a time. The reader is made aware at the beginning of the story that Ridgway has been caught, so they do not feel the danger of a serial killer on the loose, however they will likely still experience a feeling of dread, as his crimes will inevitably be unveiled.

The artist, Jonathan Case, creates an appropriately gloomy atmosphere with black-and-white ‘less is more’ panels. I feel the need to commend Case on his transitional drawings of characters throughout their lives. Youthful characters turn into aged men and women in front of the reader’s eyes, in some of the most believable aging possible in a graphic novel.

Finally, the thing that impressed me most about Green River Killer was the focus by Jensen on the human aspect of the story. As I have already mentioned, so many times ‘true crime’ stories and movies focus on the lack of humanity in the killer and make them the central character. In Green River Killer, Ridgway feels human at times, but without a doubt we can also see the monster within, however the central character is not Ridgway, but Case’s father, Detective Tom Jensen. Throughout the story we get to know the likeable but hard-nosed Jensen. At the end, the focus is on the humanity of detective Jensen as he suffers through the case, the shortened lives and lost potential of the victims, and not on the monster, who serves as an effectively horrifying plot device, but deserves none of our lasting attention whatsoever.

Green River Killer is the right way to tell stories about lost life that are heavily based in reality. A must read.

The Thing (2011) Review

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Remake? Prequel? Both? There has been plenty talk leading up to the release of The Thing, regarding what fans of John Carpenter’s 1982 masterpiece should expect. These fans would likely view a straight remake as an abomination, while a properly executed prequel would be devoured voraciously, as it has been nearly 30 years since the release of Carpenter’s film. So how does 2011’s The Thing hold up? The story is undoubtedly a prequel, however the heart of the film feels like a remake. Apparently when you are stationed in Antarctica and are being chased by a monster, there are only a handful of things you can do. The Norwegian camp in the prequel experience nearly the same horrors and problems that the American camp experience in Carpenter’s film, bringing into question if the prequel is just an exercise in redundancy.

The story follows a group of scientists and workers as they discover the site of a alien craft that crash landed on earth thousands of years ago. In addition to this monumental discovery, it also seems that the extraterrestrial pilot of the craft had tried to escape, only to be perfectly preserved in ice. Upon taking the specimen back to their base, the group quickly learn that the alien being is not in fact deceased, and has a certain proclivity for killing humans. Add to this the quaint ability to assimilate and replicate organic material (ie. humans), and you have one of the most loveable cinema monsters to ever grace the screen. Actually that was just bravado on my part, the creature from The Thing has been haunting my dreams since I watched Carpenter’s version as a young teenager.

The Thing starts off in an appropriately creepy fashion, with a great opening sequence leading to the discovery of the creature. In this opening sequence alone, the film manages to communicate the lonely isolation of the frozen continent, as well as the awe of discovering an alien being. Unfortunately, it is all downhill from this point. Two major factors which made the 1982 The Thing such a classic were the incredible creature effects, and the paranoid atmosphere in the camp that slowly built up as the fractionated group of workers fought for their individual survival. The new film did not capitalize on the previous success of these techniques.

In the new film, the creature shots are almost entirely CGI, while Carpenter’s film relied on tangible creature models/puppets. The creature in the new film can look very impressive at times, but like a lot of CGI, looks unrealistic and more like a video game monster that is clearly not physically in the room with the actors. In turn, the viewer is somewhat removed from the horror due to the inconsistent reactions of the cast to their non-existent monster during filming.

The film also completely misses the mark on the stifling isolation and rampant paranoia that should have dominated the atmosphere. It’s hard to feel scared for the characters when ample time is not allowed to pass between action scenes. At one point the film makers manage to split the camp into two factions, which could have been quite interesting, but this idea fizzled out before it even went anywhere.

In the end, the new film may be a prequel on paper, but after viewing the film it is without a doubt a remake. The characters go through many of the same motions as the camp from Carpenter’s film, and when there is a new plot device it usually fails to impress. This film also feels much too ‘Hollywood’. Hair blows in the wind, characters run and jump off something dangerous just in the nick of time, and at one point there was even symphony music, I found this a little odd in a film about isolation and horror. Fans of the original should really avoid this remake, unless curiosity is too hard to overcome. However, if you haven’t seen the original, then my guess is that this is a decent popcorn movie, albeit completely forgettable.

NOTE – If you absolutely positively are dying to see a great creature film, then check out Splinter (2008). The action isn’t as good as The Thing (2011), likely due to budget constraints, but the film as a whole is a lot better in my opinion.

Toronto After Dark Lineup Announced – 3 weeks until showtime!

Image from http://torontoafterdark.com/2011/

Showtimes and trailer links below!

It’s almost time for Toronto to usher in the Halloween season with the Toronto After Dark (TAD) Film Festival, eight nights of horror, sci-fi, action and cult movies. This the perfect type of festival for someone like me, as my interest in film lies with the mysterious and the fantastic. After the first wave of TAD films were announced, it became apparent that I would be spending a lot of time at the TAD venue, the Toronto Underground Cinema. Now that the complete lineup has been announced, I’ll just have to see if they have a room I can rent for eight nights.

The lineup for TAD looks amazing, and features a variety of ravenous undead, lonely astronauts, thirsty vampires, unfathomable futures, menacing ghosts, otherworldly secrets and pile-driving monsters, but this is just scratching the surface. Over the years TAD has garnered a reputation for their professionalism, and dedication to screening a wide variety of the best genre films from all over the world. This year will be no exception, and may just be the most exciting TAD yet!

Father’s Day (the latest from notorious Troma Entertainment, Inc.), VS (a bloody battle between four kidnapped superheros and their arch nemesis) and War of the Dead (a WWII zombie-action film out of Lithuania) make up the world premiere lineup. Highly anticipated festival circuit films include The Woman, which has been shocking audiences for a while now (check out this clip of a guy freaking out during a screening at Sundance), and The Innkeepers, the latest from Ti West, director of the creepy The House of the Devil.

In addition to these big name genre films are some that may not have as much hype, but still have me anxious for the festival to start.

The Corridor – A group of friends travel to a cabin for one last getaway before jobs, marriages, etc. make it impossible for them to do it again. The getaway takes an unexpected turn when the friends discover a spectral hallway in the middle of the woods. The corridor seems to be a harbinger of things to come and sparks negative emotions in the hearts of the men. If they hope to survive the weekend, they must face not only the corridor, but each other.

A Lonely Place to Die – From the UK comes a thrilling mountain chase film, in which a group of hikers discover a young girl trapped in the mountains. The girl turns out to be a kidnapping victim, and the hikers attempt to bring the her to safety but are tracked and attacked by the her kidnappers at every twist and turn. This film has been getting fabulous reviews and apparently must be seen on the bigscreen.

The Divide – The end of the world starts to occur just outside the windows of a towering apartment building. The tenants stampede to the secure basement in hopes of surviving the apocalypse, however, the first few to make it slam the door on the rest. The surviving group must now survive each other, as cabin fever, claustrophobia and the possibility of being the last surviving members of the human race begin to weigh heavily on the cellar’s new inhabitants. From Xavier Gens, the director of the graphic Frontier(s). Sci-fi or not, this one is probably not for the squeamish.

Redline (animated) – This animated film out of Japan is supposed to be Death Race 2000 on steroids. The plot is about a deadly intergalactic race that happens every five years, and apparently has some stellar sound effects. Let’s hope the TAD crew cranks the volume for this one!

TENTATIVE SCHEDULE (The official schedule will be announced on the 4th, when single tickets go on sale. I’m not sure when VS and War of the Dead will screen)

Click on a title to be directed to the trailer.

Thursday, October 20th

7pm – Monster Brawl

Friday, October 21st

7pm – Exit Humanity

9:45pm – Father’s Day

Saturday, October 22nd

4:15pm – Redline

7:00pm – DeadHeads

9:45pm – War of the Dead

Sunday, October 23rd

1:30pm – Some Guy Who Kills People

4:15pm – Love

7:00pm – The Theatre Bizarre

9:45pm – Midnight Son

Monday, October 24th

7:00pm – Absentia

9:45pm – A Lonely Place to Die

Tuesday, October 25th

7:00pm – The Divide

9:45pm – Manborg

Wednesday, October 26th

7:00pm – The Corridor

9:35pm – VS

Thursday, October 27th

7:00pm – The Woman

9:45pm – The Innkeepers (no trailer yet)