My Ridiculously Late Best of 2011 List – Theatrical releases and festival fare

Most people around me are living in the future. Everything is 2012 this, 2012 that, but I’m still focusing on 2011. I entered the world of film reviewing in July 2011, and as a result I’ve been playing catchup for the entire year. December was brutal, and it is only now that I feel I have seen enough of what 2011 had to offer to actually make a ‘best films of the year’ list. Since many people have not had a chance to see the films offered at the festivals in 2011, I have taken the privilege of separating my top 20 into the top 10 theatrical releases and the top 10 festival films. I hope you enjoy my lists, and if you agree or disagree then let me know!

On with the show.


10. Hanna

9. The Illusionist

8. Troll Hunter

7. Attack the Block

6. The Artist

5. Midnight in Paris

4. Drive

3. Café de Flore

2. 50/50

1. Take Shelter


10. You’re Next

9. The Divide

8. A Lonely Place to Die

7. Sleepless Night

6. The Innkeepers

5. A Letter to Momo

4. Kill List

3. Some Guy Who Kills People

2. Redline

1. The Raid



A Lonely Place to Die Review – Toronto After Dark Film Festival 2011

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The 6th Annual Toronto After Dark Film Festival, 8 Nights of Horror, Sci-Fi, Action, and Cult Movies runs Oct 20-27, 2011 at the Toronto Underground Cinema. For complete festival info visit

A Lonely Place to Die was one of my picks for Toronto After Dark 2011. Why? Glowingly positive reviews across the board (as far as I’ve seen), a beautiful filming location, and purportedly non-stop thrills. I was disappointed to overhear a couple of conversations from people who were not as excited as I was for this one. The first was in line earlier in the week, when a woman was advising her friend not to see this film as the main character spends two hours hanging from the side of a mountain. After watching the film, I can say that she obtained this synopsis of Open Water-on-a-mountain from the recesses of her own imagination. The film is nothing like what she described. The second conversation took place after the film. A man was telling his friend that he heard the movie was supposed to be thrilling, but he wasn’t very impressed. I have some questions for this viewer. Were you facing towards or away from the screen? Were you wearing a sensory deprivation helmet during the movie? The film had a good turn out, but as far as I could tell, it was not a sell out. It should have been. A Lonely Place to Die is a beautifully shot and carefully scripted taut thriller that delivers in spades.

The short before the feature was Jules Saulnier’s The Incident. Too often some writers and filmmakers think that if something is wacky or ridiculous, then it must be funny. However, the right amount of wacky is a very difficult thing to nail down. The Incident delivers just the right dose of ridiculous dialogue and awkward interactions between characters. The short is about The Agent, a man who is captive in a foreign city and must overcome several obstacles in his path in order to save the world. A funny and charismatic performance by lead actor Manuel Sinor cements this one as a real winner.

Back to A Lonely Place to Die.

The story follows a group of friends who meet up at a cabin in the quiet Scottish Highlands, before setting out on a mountain climbing adventure. An initial climbing scare has a couple of the friends a little nervous, but the group is largely undeterred, that is until they hear the voice of a small child emitting from a metal breathing tube that is protruding out of the isolated forest ground. The climbers free a young girl from this man-made burial chamber, unfortunately she cannot speak or understand a word of English. She is clearly the victim of an unconscionable act committed by dangerous people, and in dire need of help. The climber’s decide to take the girl to the closest police station, however do to their location, the trek will be anything but easy. Unbeknownst to the heroes, the perpetrators of the kidnapping are close on their heels. A cat and mouse game ensues as the climbers try to reach the authorities, while the kidnappers try and reclaim their prize.

A Lonely Place to Die is an absolutely gorgeous film. Mountain vistas and lush forests make up the majority of the setting, while helicopter shots and the rest of the cinematography effectively communicate the always present danger of such an isolated and unforgiving environment. Action films are often completely forgettable because of the bland environments of cities, warehouses, banks, etc. This is not the case with A Lonely Place, as the Gilbey brothers (Julian directs, writes, and edits, while Will writes, edits, and directs the second unit) have given viewers some incredibly fresh visuals, in the form of the Scottish Highlands.

Julian expertly directs the action on screen. Clever cinematography leading up to climatic moments often hints at possible danger, but that nature of the danger is not evident until it is too late. Viewers will never feel like any of the characters are safe from the kidnappers. Julian also gets some excellent performances from his cast, particularly Melissa George as Alison and Ed Speleers as Ed, who are an ease to become attached to and cheer for. Also of note is the performance turned in by Sean Harris as the lead villain. Harris is creepy, callous, and at times doesn’t seem fully human.

The script by Gilbey brothers deserves just as much attention as Julian’s direction. The script is perfectly paced, the decisions made by the characters seem natural, and the action does not require the viewer to suspend their disbelief to enjoy the film (often a necessity in the action genre). My only criticism of the writing is a bit of unnecessary dialogue in which Alison states what she is thinking, for the benefit of the audience. This line reminded me that I was watching a movie and took me out of the action for a moment. However, this is only a minor complaint.

The TAD team programmed a thrilling experience with A Lonely Place to Die. Fast-paced action, adrenaline pumping thrills, and some unsettling horror elements make this film a pleasure to watch. With the right marketing I expect a lot of success for this one. I also hope we see more from the Gilbey brothers soon enough.

Toronto After Dark Lineup Announced – 3 weeks until showtime!

Image from

Showtimes and trailer links below!

It’s almost time for Toronto to usher in the Halloween season with the Toronto After Dark (TAD) Film Festival, eight nights of horror, sci-fi, action and cult movies. This the perfect type of festival for someone like me, as my interest in film lies with the mysterious and the fantastic. After the first wave of TAD films were announced, it became apparent that I would be spending a lot of time at the TAD venue, the Toronto Underground Cinema. Now that the complete lineup has been announced, I’ll just have to see if they have a room I can rent for eight nights.

The lineup for TAD looks amazing, and features a variety of ravenous undead, lonely astronauts, thirsty vampires, unfathomable futures, menacing ghosts, otherworldly secrets and pile-driving monsters, but this is just scratching the surface. Over the years TAD has garnered a reputation for their professionalism, and dedication to screening a wide variety of the best genre films from all over the world. This year will be no exception, and may just be the most exciting TAD yet!

Father’s Day (the latest from notorious Troma Entertainment, Inc.), VS (a bloody battle between four kidnapped superheros and their arch nemesis) and War of the Dead (a WWII zombie-action film out of Lithuania) make up the world premiere lineup. Highly anticipated festival circuit films include The Woman, which has been shocking audiences for a while now (check out this clip of a guy freaking out during a screening at Sundance), and The Innkeepers, the latest from Ti West, director of the creepy The House of the Devil.

In addition to these big name genre films are some that may not have as much hype, but still have me anxious for the festival to start.

The Corridor – A group of friends travel to a cabin for one last getaway before jobs, marriages, etc. make it impossible for them to do it again. The getaway takes an unexpected turn when the friends discover a spectral hallway in the middle of the woods. The corridor seems to be a harbinger of things to come and sparks negative emotions in the hearts of the men. If they hope to survive the weekend, they must face not only the corridor, but each other.

A Lonely Place to Die – From the UK comes a thrilling mountain chase film, in which a group of hikers discover a young girl trapped in the mountains. The girl turns out to be a kidnapping victim, and the hikers attempt to bring the her to safety but are tracked and attacked by the her kidnappers at every twist and turn. This film has been getting fabulous reviews and apparently must be seen on the bigscreen.

The Divide – The end of the world starts to occur just outside the windows of a towering apartment building. The tenants stampede to the secure basement in hopes of surviving the apocalypse, however, the first few to make it slam the door on the rest. The surviving group must now survive each other, as cabin fever, claustrophobia and the possibility of being the last surviving members of the human race begin to weigh heavily on the cellar’s new inhabitants. From Xavier Gens, the director of the graphic Frontier(s). Sci-fi or not, this one is probably not for the squeamish.

Redline (animated) – This animated film out of Japan is supposed to be Death Race 2000 on steroids. The plot is about a deadly intergalactic race that happens every five years, and apparently has some stellar sound effects. Let’s hope the TAD crew cranks the volume for this one!

TENTATIVE SCHEDULE (The official schedule will be announced on the 4th, when single tickets go on sale. I’m not sure when VS and War of the Dead will screen)

Click on a title to be directed to the trailer.

Thursday, October 20th

7pm – Monster Brawl

Friday, October 21st

7pm – Exit Humanity

9:45pm – Father’s Day

Saturday, October 22nd

4:15pm – Redline

7:00pm – DeadHeads

9:45pm – War of the Dead

Sunday, October 23rd

1:30pm – Some Guy Who Kills People

4:15pm – Love

7:00pm – The Theatre Bizarre

9:45pm – Midnight Son

Monday, October 24th

7:00pm – Absentia

9:45pm – A Lonely Place to Die

Tuesday, October 25th

7:00pm – The Divide

9:45pm – Manborg

Wednesday, October 26th

7:00pm – The Corridor

9:35pm – VS

Thursday, October 27th

7:00pm – The Woman

9:45pm – The Innkeepers (no trailer yet)

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