ChickFlicking – The Vow Review (Nadia Sandhu)

The Vow (2011)

Starring Rachel McAdams, Channing Tatum, Sam Neill, and Jessica Lange

Directed by Michael Sucsy

New on DVD/Blu-ray is The Vow, which grossed $125 million at the box office earlier this year- almost double the take of The Lucky One.

The central romantic conflict of this film is grounded in real events, so no need for contrivance here.  The marriage of real-life couple Kim and Krickitt Carpenter survived her brain trauma and memory loss after a horrific car accident, and fictional couple Leo (Channing Tatum) and Paige (Rachel McAdams) are no different.

The Vow is also cleverly written. The dialogue is witty and sincere, the melodrama is minimal and the love story is genuine.  The main characters are well fleshed out, and we can’t help but root for the couple and hope for a romance driven deus ex machina to save the day and return Paige’s memory at the film’s climax.

McAdams, as Paige, is at her radiant best and while the jury is out on Tatum’s acting talent, his broad-shouldered- aw-shucks- ma’am appeal and limited range really work to his advantage here.  Tatum sells Leo’s steadfast faith in their marriage and the simple, straight forward devotion that guides his reactions to Paige, the accident and the amnesia.  You really feel for the guy, and the chemistry between the leads is so convincing  that I found myself actively rooting for them.  Scott Speedman distractions be damned.

Other critics criticized The Vow for being light and frothy, but the film is an endearing testament that sometimes, even in real life,  true love does conquer all. And that makes The Vow a top-notch chick flick in my books.

Emotional Investment 4     Authenticity 5     Chemistry 3.5     Contrivance 0

American Horror Story Review (The First Six Episodes)

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As usual, I was a bit late to catch onto the latest hit TV show, American Horror Story. I seem to have my finger on the pulse of the movie and video game scene, but TV releases require such a large time investment, so I tend to wait for a few seasons to be released and then watch them en masse. However, the insane amount of buzz that has accompanied American Horror Story, combined with the genre of the show, a modern haunted house story of sorts, has made it impossible for me to postpone my viewing of the show. After the first six episodes, I’m not quite sure what to think. I adore the subject matter, and there is a ton of creativity and talent evident in the series, but some risky and lazy writing choices have left me wondering if I will even continue with the rest of the series.

In the interest of full disclosure, I should say that I sat through Harper’s Island every week, up to and including its nonsensical and intellectually insulting finale. I thought the idea of a weekly slasher series was amazing, and I wanted the show to succeed, much like I want American Horror Story to succeed. Well, as a whole, Harper’s Island turned out to be a massive pile of garbage, and I’m still strongly considering contacting the creators to try and get the 13 hours of my life back that I invested in it. This experience has no doubt affected how I view other horror TV shows. I will try my best not to let this attitude seep into this review of the first six episodes of American Horror Story.

The storyline of the series follows the Harmon family as they move into an old suburban home with a bloody history. Vivien (Connie Britton) and Ben (Dylan McDermott) have had their fair share of marriage problems, but are hoping that the change of scenery will help them repair past emotional damage, while their daughter Violet (Taissa Farmiga) seems to be your typical angst ridden teenager. The mysterious supporting characters, in the form a deceptive neighbour (Jessica Lange), a two-faced stranger (Denis O’Hare), and an age-shifting maid (Frances Conroy and Alexandra Breckenridge), bolster the unsettling atmosphere of American Horror Story. In addition to the present-day storyline, most episodes of the series also feature flashbacks to ghastly murders that are a part of the house’s sordid past.

I have a lot of positive things to say about the series. For starters, the technical aspects are quite refreshing, as the cinematography and the editing remind me of the jump-cuts and crash-zooms found in The Lincoln Lawyer. This may not be my favourite camera or editing style, but it is always nice to see something different in a TV show, which are so often technical bores.

The strongest point of the series has to be the exceptional performances by the majority of the cast. Connie Britton and Dylan McDermott do an excellent job of alternating between compassionate and loving scenes, to those in which it looks like their marriage might end there and then. Taissa Farmiga’s performance seemed a little ho-hum for a while, however around episode four or five she really begins to evolve, as her character starts to get fleshed out a bit. In my opinion, the strongest performance is delivered by Jessica Lange, who absolutely owns every scene she appears in.


The negative aspects of American Horror Story largely stem from the quality of the writing, which see-saws violently throughout the first six episodes. Larry Harvey (Denis O’Hare), a burn victim that seems interested in helping Ben (McDermott), has a few memorable moments, but for the most part feels like an inane paper-thin character who is simply a plot device or a time filler. An episode called Piggy, Piggy had the potential to be extremely scary, but goes out with a whimper. Did the writer quit before the episode was finished? Finally, a very questionable school-shooting storyline is the focus of the sixth episode. I am not here to pass moral judgment, and every topic should be open to art and entertainment, but when you are writing a haunted house series where the focus is entertaining horror, it is a large risk to utilize such an emotionally upsetting topic and treat it as a vehicle for thrills. Also, it may be unwise to make a supporting ‘good guy’ character the perpetrator of these shootings, as the audience will likely never forgive him. In all fairness, the story arc is not entirely explained at this point, and the show may have some incredible plot twists to explain these shootings, however I doubt it.

As I said at the beginning, I really don’t know what to think of this series. There has been a lot of good and a fair share of bad to be found in the first six episodes. Unfortunately, I don’t think that I have the time to invest in any future episodes, as TV shows really have to win me over early. However, I encourage horror fans to check out American Horror Story for themselves, they may find some redeeming qualities that I’ve missed. You can catch American Horror Story on the FX Network.

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