Identity Thief Review (Kirk Haviland)

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Identity Thief (2013)

Starring: Jason Bateman, Melissa McCarthy, Jon Favreau, Amanda Peet, Tip “T.I.” Harris, Genesis Rodriguez, Morris Chestnut, John Cho, Robert Patrick, Eric Stonestreet

Written by Craig Mazin based on a story by Jerry Eeten and Craig Mazin

Directed by Seth Gordon

The doldrums of the winter post-Oscar bait box office continue this week as after a very lackluster January our friends at Universal Pictures give us Identity Thief. This comedy is the follow-up feature from McCarthy after her breakout role in 2010’s Bridesmaids (This is 40 cameo notwithstanding) and her first shot at a lead performance. Along for the ride is Jason Bateman playing his very familiar bland straight man role and Amanda Peet as his long suffering wife.

Diana (McCarthy) makes her living assuming stranger’s identities and bleeding them dry. Her seemingly unlimited funds have allowed Diana to party and shop it up on the outskirts of Orlando, where her house looks like a Shopping Channel storage warehouse.  But her new identity comes with a catch, it belongs to an accounts rep (Bateman), Sandy, who lives halfway across the U.S., and Sandy has been tipped off as to where she lives. With only one week to hunt down the con artist before he loses his job and livelihood, the real Sandy Bigelow Patterson heads south to confront the woman with an all-access pass to his life.  And as he attempts to bribe, coax and wrangle her 2,000 miles to Denver, one easy target will discover just how tough it is to get your name back. And let’s not forget the Skiptracer (Patrick) and Mob enforcers (Harris and Rodriguez) following and tracking their every move.

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Identity Thief is a very poorly executed movie in many regards. The script here is extremely lazy, think of the worst possible rehash of Midnight Run you’ve seen and this is worse. The gags are tired and lazy and the dialogue is terrible. The plot device as to why the pair is forced to drive instead of fly is ludicrous and makes no sense. The fact that Diana and all her many fake ID’s can’t fly because her ID is the same as Sandy’s, when she can simply make another ID and actually does so later in the film, is just mediocre writing at best. Writer Mazan’s previous efforts include the lackluster Hangover 2, Scary Movies 3 and 4 (the UN-funny ones) and the abysmal Superhero Movie so the lack of ingenuity shown here should come as little surprise. But Mazin can’t be held solely responsible for this effort.

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Director Gordon has done some excellent work on television and in the world of documentaries but his feature length fiction films have left something to be desired. With Horrible Bosses being his most respectable, Identity Thief may even be worse than his other, badly executed holiday film: Four Christmases. Watching the film it would appear the film just got away from him and he let McCarthy run rampant without any guidance or attempt to reel her in. McCarthy is probably the best part of the film, managing to elicit a few laughs along the way in what were likely her variances from the script. But a lot of the time she seems to be throwing everything she can on screen just to try and make something stick. Based on Bateman’s performance you would expect him to turn directly straight to camera at some point and say “Hey, it’s a paycheck” before returning to whatever line he is delivering next. Peet is fine here, but is really given nothing to do. The rest of the roles are merely extended cameos with wasted performances especially from the talented likes of Favreau, Stonestreet and Cho.

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Perhaps the biggest problem I have with the film is how offensive it gets towards the end. In one sequence that I’m sure is meant to be humorous, McCarthy’s Diana tries to explain to Peet’s character that nothing happened between her and Sandy on the road. But what ensues is McCarthy going on and on about how irresistible she is and the audiences and Peet’s Trish are supposed to be laughing because of course a fat person can’t be sexy right? Similar subject matter was handled with class and hilarity in Bridesmaids but that is sadly lacking here.

There may have been a good movie to be had with this premise, but Identity Thief sadly is not that film. Audiences will likely have to wait for McCarthy’s turn in director Paul Feig’s (Bridesmaids) next film The Heat and Batemen’s long awaited return to the role of Michael Bluth from Arrested Development to get the laughter they were hoping to get out of this film. The amount of talent on screen is hampered by a poor script and some spotty direction that drags everyone down. Identity Thief is not recommended.

Till Next Time,

Movie Junkie TO

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This Is 40 Review (Kirk Haviland)

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This Is 40 (2012)

Starring Paul Rudd, Leslie Mann, Megan Fox, Maude Apatow, Iris Apatow, Chris O’Dowd, Jason Segel, Melissa McCarthy, Graham Parker, Lena Dunham, Annie Mumolo, Robert Smigel, Charlyne Yi, Lisa Darr with John Lithgow and Albert Brooks

Written and Directed by Judd Apatow

With This is 40, Judd Apatow’s latest directorial effort, we delve back in to the world that he created years ago with “Knocked Up”, this time focusing on the lives of Pete and Debbie instead of Seth Rogen and Katherine Heigel’s Ben and Allison. In fact Rogen and Heigl are completely missing from the entire film this time around. The real question is can Apatow craft a successful follow up to “Knocked Up” by going a completely different direction with it?

Five years after “Knocked Up” introduced us to Pete (Rudd) and Debbie (Mann), we are re-introduced to the couple approaching a milestone in each of their lives in This Is 40. After years of marriage, Pete lives in a house of all females, wife Debbie and their two daughters, eight-year-old Charlotte (Iris Apatow) and 13-year-old Sadie (Maude Apatow).  As Pete struggles to keep his record label afloat, Debbie is trying to figure out which of her employees is stealing from her clothing store and both are trying to figure out how to cope with turning the big 4 O. We follow the couple through three weeks between Debbie and Pete’s birthdays and bear witness to the trials and tribulations that come out of a couple struggling to reignite and continue their romance well past 40.

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This is 40 is in many ways a mess of a film, but it does enough to get the job done. The script is very biographical in nature, with some flights of fancy thrown in for effect, but sadly comes in around half-hour too long. The story seems a natural and logical progression of the main characters from “Knocked Up”, and it’s the core family sections that work the best. The biggest issue is the decision to completely ignore the fact that Katherine Heigl played Mann’s sister in “Knocked Up”. With Apatow just ignoring the fact that Heigl and Rogen are missing in this follow up, it ends up hanging like a cloud over the entire film. But even without Heigl and Rogen appearing, even ignoring the existence of the previous movie all-together, this movie has major issues. Everything associated with Debbie`s store is superfluous and unrealistic. Debbie and Desi’s (Fox) night on the town, complete with the roster of the Philadelphia Flyers in tow, is quite ridiculous and only there to mirror the very similar scene from Knocked Up. Add in a random “biological” father to showing up in Debbie’s life (thus making sure he is NOT the father of Heigl’s character from the previous film as well) and adding Albert Brooks trying to deliver “the most Jewish performance of all time” as Rudd’s father doesn’t work either.

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Mann and Rudd are good here, and mange to keep the train on the tracks. Megan Fox, Lithgow, Segal and O’Dowd are solid here, even if there characters make little sense in the film’s context. The real issues here are Yi and Brooks. While normally I would be fawning over Brooks in a movie, his performance here looks like Apatow spent the time with Brooks in bewilderment instead of reeling him in, and his performance is almost insufferable because of it. And Yi is pretty terrible here, her act is starting to wear thin and despite serious implications against her character she is never more than a punch line. Apatow’s daughters as the daughters in the film show real chemistry, but since they are sisters and are acting with their real life mom Mann, this should hardly be surprising. That said, when it comes to having to go more dramatic in parts, his eldest Maude shows she is out of her league as she is not convincing in the slightest. Melissa McCarthy, in not much more than a glorified cameo, rips every scene that she is in away from everyone around her as she is one of the funniest parts of the film. In fact make sure to stick around into the credits as there is an outtake sequence of McCarthy’s scene which may be the funniest part of the film.

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While flawed and with multiple issues, This Is 40 is still laugh out loud funny in many parts, and the stuff around the family core is actually pretty solid. Despite its shortcomings This is 40 is still a recommend.

Movie Junkie TO

Make sure to keep up with what’s going on at Entertainment Maven by liking our Facebook page and having updates delivered right to your Facebook News Feed. It’s the only way to stay on top of all of our articles with the newest blockbusters and all the upcoming films, festivals and film related events in Toronto.

Follow me directly on twitter @moviejunkieto and by liking my Facebook page at Movie Junkie TO

Email me at moviejunkieto@gmail.com

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