
Standing in line last night at Midnight Madness was a true test of willpower. I was waiting to see You’re Next, the new film from the guys that brought us A Horrible Way to Die, and I was scared out of my mind. I think at some level we are all afraid of the subjects of horror films; zombies, madmen, werewolves, etc., that’s why we watch, to be scared. However, we also have our idiosyncratic fears that will be shared by some, but the suffocating terror that seems to sink into our very bones will be not be experienced by the majority of viewers. My ‘special’ fear just happens to be masked assailants and motiveless killers. How quaint that You’re Next stars men in animal masks wielding crossbows, machetes and axes, who show up uninvited at a family reunion. It also didn’t help that an ingenious graffiti ad campaign had ‘masked killer’ art by eerily quiet parking lots and on lonely cement walls. Unfortunately for me, Ryerson theatre was not handing out complimentary blindfolds and ear plugs.
As I’ve alluded to, the film is about a well-off family getting together at an elegant country mansion for a family reunion. Scream queen Barbara Crampton (Re-animator and From Beyond) and Rob Moran play the upper class mother and father, while the four privileged adult children and their romantic partners include, AJ Bowen, Sharni Vinson, Ti West and Joe Swanberg, amongst others. Once everyone arrives at the country home, the members of the disharmonious family begin to squabble, bringing up arguments and feelings from the past for all of the guests to witness. Without warning things change from bad to worse, as the family find themselves under siege by crossbow bolts from outside and machete wielding manics from inside. They have been targeted by a group of killers and cannot understand why. Can the malfunctioning family band together and stop the killers, or will this secluded country mansion be their final resting place?
You’re Next has a lot going for it and is destined to become a commercial success, a cult classic, or both, it will probably come down to marketing. Every aspect of the film has many positive points. The cast is as stellar as it gets for horror movies, with the iconic Barbara Crampton, the always weird and entertaining AJ Bowen, Rob Moran, and directors Ti West (The House of the Devil) and Joe Swanberg (Nights and Weekends). However, the most exciting member of the cast is the talented and beautiful Sharni Vinson, who has cemented her place in the annals of horror cinema with the role of Erin. The combination of Barrett’s writing and Vinson’s portrayal of Erin has created what will be one of the most celebrated heroines in horror film. I’m not going to spoil why Erin is such a lovable character, you’ll just have to find out for yourself.
You’re Next starts off as an extremely tense film, as the audience knows to expect a home invasion, but doesn’t know when to expect it. Wingard and Barrett set up the horror quite nicely as we are given plenty of suspenseful moments and genuine scares before the true horror begins. Also, Barrett delivers an excellent script that is very much tongue-and-cheek and pokes fun at many of the cliched lines and situations that appear in generic horror films. At some point, You’re Next takes one step back from terror and at some level becomes a horror comedy. The transition works very well. That being said, there are still genuine scares throughout the entire film, it just gives the audience a break from watching the screen with the corner of their eyes, between open fingers.
The artistic palette of the film is really something to behold. I’m not sure if it was all intentional, but the colour of the furniture and wood in the mansion, the dark red hue of the blood and even the colour of Vinson’s hair look stunning together. Just look at the photo at the beginning of this review to see what I mean. The score complements the film nicely and even contains an electronic song that reminded me of Argento’s Tenebre (Goblin). Weird, but it works.
In the end, You’re Next is a taut, scary thriller that seamlessly transitions into a comedic, action packed bloodbath. I urge you too see You’re Next when you get a chance. Grab some friends and see it in a theatre, it will be a blast. Wingard and Barrett hinted that their next project would be more action oriented, but if it’s not horror-themed then I’ve got news for them.
They’re next!
Note: It’s nice to see such impeccable grammar from madmen writing on the walls with blood.
Hey!
You may not remember me by name, but we met on the line for You’re Next and watched it together with your friend. I enjoyed reading your review for You’re Next, it was exactly how I felt about it. You called it a “step back,” but I thought the comedy aspect was a nice way to get my guard down for the next scare. In some way, it feels like a step forward as a horror-comedy genre. When I think of horror-comedy, I think of Shaun of the Dead, a movie which I think is brilliant, however not scary. I was busy eating my scarf during You’re Next because I was afraid of shouting out (like one person did somewhere behind us).
Just one last point: you mentioned that you didn’t know if it was all intentional that the color of the furniture and wood in the mansion and the dark blood looked stunning together. If there’s one thing I learned from film, it’s that everything is intentional. A movie is a director’s baby from the very, very beginning to the very, very end. Every detail has been accounted for, right down to the clothes the characters wear.
Good job with the review. Ill be reading the one for Livid, which was another one I wish I saw from the midnight madness program. Enjoy the rest of the festival!
Irina
Hey Irina,
Thanks for checking out the review! Yeah, I bet you are right about the colour choices. I was just so surprised to see complexity like that in a slasher film.
I’ll be trying my best to enjoy the rest of the festival, but the days don’t seem to be long enough to get enough sleep…
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Yet more kudos from reviewers for You’re Next. We’re concerned this is only going to be a limited theatrical release (August 23rd) , but we’ll keep you posted. We’re also aware several reviews we’ve “pressed” here are from Fall of 2011; the movie debuted on the festival circuit (here, Midnight Madness). We also have yet to find a bad, or even mediocre review, though we’re still sifting through them. In the meantime, here’s another from Entertainment Maven for you to enjoy, and probably get you jones-ing a little to see it, if you’re not already anticipating You’re Next (see our helpful Countdown Clock on the far right sidebar).