Bait 3D DVD Review (Kirk Haviland)

Bait 3D DVD 

Starring Xavier Samuel, Sharni Vinson, Alex Russell, Phoebe Tonkin and Julian McMahon

Written by Russell Mulcahy and John Kim (with additional writing by Shayne Armstrong, Duncan Kennedy, Shane Krause and Justin Monjo).

Directed by Kimble Rendall

From the Gold Coast of Australia Anchor Bay Entertainment brings us Bait 3D on DVD and Blu-Ray. The film stars a cast of rising stars from Australia including Xavier Samuel (Loved Ones, Twilight Saga: Eclipse), Sharni Vinson (Step Up 3D, You’re Next), Alex Russell (Chronicle) and Phoebe Tonkin (TV’s The Secret Circle, Tomorrow, When the War Began). The cast is further rounded out with some veteran presence in the form of Julian McMahon. The question remains with the overabundance of Shark based thrillers out there is Bait more part Jaws or Sharktopus?

After a gargantuan freak tsunami hits a sleepy beach community in Australia a group of survivors, including store staff Josh (Samuel) and Ryan (Russell), Josh’s former fiancée Tina (Vinson), Police Officer Todd and his daughter Jaimie (Tonkin), and the untrustworthy Doyle (McMahon) find themselves trapped inside a submerged grocery store. As they try to escape to safety they soon discover that there is a predator among them more deadly than the threat of drowning – multiple vicious great white sharks are lurking in the water. As the bloodthirsty sharks begin to pick the survivors off one by one, the group realizes that they must work together to find a way out without being eaten alive.

Bait 3D establishes from the beginning that this is not a serious thriller out to uphold the Jaws legacy. It clearly has its tongue firmly planted in cheek. Why the script went through six writers is beyond me as the dialogue is pedestrian and the “twist” obvious to anyone watching the film well before the people in the film discover it. There is a lot of the traditional paint by numbers in the story, but the thing that keeps its forward momentum is the camp factor allowing for some humorous sequences and some decent death scenarios. I say scenarios because the deaths themselves come at the hand of one of the worst realized sharks I’ve seen in a theatrical production (it is playing theatrically in Australia but will be direct to video in North America) and play for laughs not scares. The young cast does manage to represent themselves well here and it’s obvious as to which of these actors are the ones that are already making inroads in not only Australia but Hollywood as well. McMahon serves as senior statesman here and perfectly encapsulates the charming, smarmy guy you know you should never trust but you still do. The setting of the film is actually pretty ingenious and the physical set, set decoration, and physical effects all add to the sense of claustrophobia and urgency of the film. The CGI portions do let the film down considerably as they never appear realistic at any time. Sadly Bait would have been better served with a “Jaws the shark isn’t working” type scenario that would have forced them to get more creative.

Ultimately there is a lot of fun to be had with Bait 3D, while it will never win any awards it does enough that it could easily become a cult classic. While Bait 3D will not be for everybody, there will be a lot who hate it outright and will claim I am losing my mind, I still must give it a Recommend.

Till Next Time,

Movie Junkie TO

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You’re Next (TIFF 2011) Review – Masked Mayhem from Adam Wingard and Simon Barrett

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Standing in line last night at Midnight Madness was a true test of willpower. I was waiting to see You’re Next, the new film from the guys that brought us A Horrible Way to Die, and I was scared out of my mind. I think at some level we are all afraid of the subjects of horror films; zombies, madmen, werewolves, etc., that’s why we watch, to be scared. However, we also have our idiosyncratic fears that will be shared by some, but the suffocating terror that seems to sink into our very bones will be not be experienced by the majority of viewers. My ‘special’ fear just happens to be masked assailants and motiveless killers. How quaint that You’re Next stars men in animal masks wielding crossbows, machetes and axes, who show up uninvited at a family reunion. It also didn’t help that an ingenious graffiti ad campaign had ‘masked killer’ art by eerily quiet parking lots and on lonely cement walls. Unfortunately for me, Ryerson theatre was not handing out complimentary blindfolds and ear plugs.

As I’ve alluded to, the film is about a well-off family getting together at an elegant country mansion for a family reunion. Scream queen Barbara Crampton (Re-animator and From Beyond) and Rob Moran play the upper class mother and father, while the four privileged adult children and their romantic partners include, AJ Bowen, Sharni Vinson, Ti West and Joe Swanberg, amongst others. Once everyone arrives at the country home, the members of the disharmonious family begin to squabble, bringing up arguments and feelings from the past for all of the guests to witness. Without warning things change from bad to worse, as the family find themselves under siege by crossbow bolts from outside and machete wielding manics from inside. They have been targeted by a group of killers and cannot understand why. Can the malfunctioning family band together and stop the killers, or will this secluded country mansion be their final resting place?

You’re Next has a lot going for it and is destined to become a commercial success, a cult classic, or both, it will probably come down to marketing. Every aspect of the film has many positive points. The cast is as stellar as it gets for horror movies, with the iconic Barbara Crampton, the always weird and entertaining AJ Bowen, Rob Moran, and directors Ti West (The House of the Devil) and Joe Swanberg (Nights and Weekends). However, the most exciting member of the cast is the talented and beautiful Sharni Vinson, who has cemented her place in the annals of horror cinema with the role of Erin. The combination of Barrett’s writing and Vinson’s portrayal of Erin has created what will be one of the most celebrated heroines in horror film. I’m not going to spoil why Erin is such a lovable character, you’ll just have to find out for yourself.

You’re Next starts off as an extremely tense film, as the audience knows to expect a home invasion, but doesn’t know when to expect it. Wingard and Barrett set up the horror quite nicely as we are given plenty of suspenseful moments and genuine scares before the true horror begins. Also, Barrett delivers an excellent script that is very much tongue-and-cheek and pokes fun at many of the cliched lines and situations that appear in generic horror films. At some point, You’re Next takes one step back from terror and at some level becomes a horror comedy. The transition works very well. That being said, there are still genuine scares throughout the entire film, it just gives the audience a break from watching the screen with the corner of their eyes, between open fingers.

The artistic palette of the film is really something to behold. I’m not sure if it was all intentional, but the colour of the furniture and wood in the mansion, the dark red hue of the blood and even the colour of Vinson’s hair look stunning together. Just look at the photo at the beginning of this review to see what I mean. The score complements the film nicely and even contains an electronic song that reminded me of Argento’s Tenebre (Goblin). Weird, but it works.

In the end, You’re Next is a taut, scary thriller that seamlessly transitions into a comedic, action packed bloodbath. I urge you too see You’re Next when you get a chance. Grab some friends and see it in a theatre, it will be a blast. Wingard and Barrett hinted that their next project would be more action oriented, but if it’s not horror-themed then I’ve got news for them.

They’re next!

Note: It’s nice to see such impeccable grammar from madmen writing on the walls with blood.

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