Toronto After Dark 2012: In Their Skin Review (Robert Harding)

Toronto After Dark Film Festival 2012

In Their Skin (2012)

Starring Selma Blair, Joshua Close and James D’Arcy

Directed by Jeremy Power Regimbal

Home invasion is never an easy subject. The thought of someone entering your house and stealing stuff is bad enough but thinking it could happen when you’re home is truly frightening.  Thoughts of being tied up, property stolen and the house being damaged are just the beginning as you never know the full intentions of the invaders.

After the accidental death of their young daughter, Mark (Josh Close) and Mary (Selma Blair), along with their young son, decide to drive to their family’s very large isolated vacation home in order to spend some quality family time together and help cope with their loss. Not long after their arrival they meet up with what appear to be overly friendly neighbours only to find out that Bobby (James D’Arcy), Jane (Rachl Miner) and their son Jared Sykorski are not entirely who they seem to be.

First time Director Jeremy Power Regimbal has managed to put together an amazing first feature. The audience at the Toronto After Dark Film Festival made their thoughts known during the screening of the film as they winced, cringed and gasped in unison during multiple moments in the film.

Getting this great cast together was possibly the best thing to happen to this film. Everyone involved does a fantastic job of conveying their various psychoses and neuroses. Without these marvelous performances In Their Skin could have come across as a campy low budget horror flick rather than the convincing thriller it is. As suspense movies go, In Their Skin does a very good job of controlling tension through pacing and the hard to master skill of foreshadowing.

Despite all that is good about In Their Skin, I still had a few problems with it. I didn’t quite connect with the attitude of Mark and Mary at the beginning of the film. I realize they are supposed to be affected by the death of their daughter but I wasn’t sure exactly what emotions they were feeling. Were they supposed to hate each other? Were they simply distant? It was never really clear. The end result is that the viewer is never truly able to connect with them as the victims. The other problem I had came from the way the film ended.  The film spends so much time building tension and suspense but when it came to the conclusion, things seemed to end rather quickly and without much thought or creativity.  While the ending wasn’t as dark as I would have enjoyed, I would have been just as happy with an ending that felt fresh and showed a little more development.

There is a lot of talent coming out of Canada lately when it comes to genre filmmakers and I’d put Jeremy Power Regimbal among them. He has a good grasp of pacing, camera angles and story concept and while he hasn’t created a masterpiece with In Their Skin, he has managed to put together a film that gets under your skin, even if only for a short period of time.

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Toronto After Dark 2012: Resolution Review (Kirk Haviland)

Toronto After Dark Film Festival 2012

Resolution (2012)

Starring Peter Cilella, Vinny Curran, Zahn McClarnon

Written by Justin Benson

Directed by Justin Benson and Aaron Moorhead

Resolution, the hit film from the Tribeca and Fantasia festivals made its Toronto debut at Toronto After Dark 2012. Another cabin in the woods style thriller in a year that has also given us ‘Cabin in the Woods’, Resolution is a smaller more compact story that strives to tell an equally intense and original story. But the question is can they succeed?

Mike (Cilella) receives a deranged video via email from his junkie friend Chris (Curran). This prompts Mike to track down Chris in a cabin by the woods with a desperate plan to attempt to rehabilitate him. As the two bicker and squabble in the dilapidated abode, they soon find themselves accosted by increasingly sinister neighboring forces. Mike also stumbles upon a series of interconnected media (from diaries to VHS tapes) that begin to embroil them in a possibly supernatural plot that pervades both the cabin and its surroundings.

Resolution is not a movie that cannot be easily described or dissected, hence the shortness of the synopsis. The elements are all there, the result just needs time to sit and be contemplated. This review did not come together until a few days after the screening.  The leads Vinny Curran and Peter Cilella are both fantastic. Their natural chemistry – all of the filmmakers are incredibly close offscreen – just oozes off the screen and Vinny’s comedic timing is impeccable. Despite the natural tendency to dislike a character that is in Chris’ situation, a stubborn crack addict that doesn’t care who he hurts, Curran manages to make him a loveable lout. Peter gets hit with the straight man role this time out and responds admirably.

The script contains some of the best dialogue of any film screened at Toronto After Dark this year and makes the audience work to discover what is really happening around them. Spooling out at a methodical pace and building paranoia as more evidence is discovered, the script remains smart and edgy throughout. The ending is challenging and will be divisive as it does not explain the goings on but leaves the audience with their own thoughts and theories. Directors Aaron Moorehead and Justin Benson deliver a tightly shot film with CG work that is so flawless it is bound to fool even other effects programmers. Using all actual locations, including the cabin, and as much natural lighting as they can, the directors manage to get amazing results.

Resolution is a film that cannot easily be categorized, but despite this it is a film that is highly entertaining and worth the effort to track down. Resolution is a solid recommend.

Till Next Time,

Movie Junkie TO

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Toronto After Dark 2012: After Review (Kirk Haviland)

Toronto After Dark Film Festival 2012

After (2012)

Starring Steven Strait, Karolina Wydra, Madison Lintz and Sandra Ellis Lafferty

Written by Jason Parish and Ryan Smith

Directed by Ryan Smith

Making its Canadian Premiere as part of Toronto After Dark 2012’s Sunday night lineup was the fantasy thriller After. The tale of a pair of bus crash survivors who awake to an empty town hopes to harken back to a darker version of the more whimsical films of Joe Dante and Steven Spielberg back in the 1980’s. But can After live up to such a high pedigree?

We first meet Freddy (Strait) and Ana (Wydra) on a bus, heading home to the small town of Pearl where they are virtually neighbours, although they apparently have never met.  The bus suddenly crashes and lands Freddy and Ana in the hospital.  Ana awakes to discover that evidence abounds that she and Freddy have spent many weeks in the hospital. As the pair attempt to resume their lives they soon discover that seemingly everyone in town has disappeared. Eventually Freddy and Ana meet up once again and as they try to piece together what has actually happened to the town they also must discover why a dark cloud encapsulates and traps them in Pearl. Also, what is the nature of the creature that has been left behind with them? They must sort this entire situation out as Freddy and Ana discover the fog is moving inwards, putting the town and themselves on the clock.

After is a concoction of fairy tale mixed with creature feature. Strait and Wydra do admirable jobs here, especially since the film is almost 90% them onscreen with only each other. The setting and set decoration is fantastic for a low budget indie, with fantastic detail given to each set. Even the effects work here is solid, though I’m sure the filmmakers quickly discovered that digital smoke is just as difficult to properly manipulate as digital fire is. I will note that the creature does not completely work here as it kind of looks like it has been soaking in water for two weeks and has eternal pruning effect. The script device that sets the fog and our protagonists in motion is actually not overly original, but delivered in a completely original and inventive manner. Director Smith does a good job engaging us with the characters enough throughout the film that we continue to follow them until the end – until the actual end that is. Sadly this is where we hit the other biggest issue of the film, the last 5-10 minutes are straight TV movie of the week material, cliche ridden and overly sappy. Not outright horrendous enough to kill my enjoyment of the film but groan inducing for sure.

Reminiscent in tone, not material, to films like M. Night Shyamalan’s Lady in the Water with its dreamlike, fairy tale inspired visuals, After will keep you enthralled up until it’s unsatisfying conclusion. But there is way more than enough here to enjoy. After is a recommend.

Till Next Time

Movie Junkie TO

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Toronto After Dark 2012 – Universal Soldier: Day of Reckoning Review (Matt Hodgson)

Toronto After Dark Film Festival

Universal Soldier: Day of Reckoning

Starring Jean-Claude Van Damme, Dolph Lundgren and Scott Adkins

Directed by John Hyams

The Toronto After Dark Film Festival is definitely known for the weird and scary movies that their lineup is often full of, but let’s not forget that they are not strangers to playing hard hitting action movies. Universal Soldier: Day of Reckoning looked to be the most action-packed movie of the lineup, but it also sounded like direct to DVD release with little appeal for the film festival crowd. What gives guys, why did you choose this movie to fill one of your 20 feature film slots? After walking out of Universal Soldier the answer was clear: this was one of the weirdest and most atonal movies of the entire festival, and in a good way – a very good way.

Viewers don’t need to be particularly well-versed with the Universal Soldier franchise in order to enjoy Day of Reckoning. Simply an understanding that universal soldiers are men who have been engineered to deal out and absorb inhuman amounts of combat damage should be plenty of background information for this installment. Day of Reckoning sees John (Adkins) lose his family after a very disturbing home invasion sequence. Left for dead, John miraculously wakes up in a hospital and slowly begins to regain his cognitive functioning, mobility, and strength. It’s essential that he gets healthy in a hurry as he has one thing on his mind – revenge. Despite some hazy memories, one of them is very clear: the face of the man who killed his family, Luc Deveraux (Van Damme). The rest of the movie follows John as he tries to exact his bloody revenge on anyone who tries to get in his way.

The initial marketing (trailer) for Day of Reckoning did not do the movie justice. The initial trailer made the movie look very entertaining as it was jam-packed full of action, but it also looked to be a little empty in terms of storytelling. However, this is not even close to the the truth. While Day of Reckoning may not have the strongest story, it is a wonderfully intriguing experiment in the absence of exposition, but not in a negligent way. The director, Hyams, dares us to experience life as John (Adkins) does waking up from his coma. We are told next to nothing, except for some pedantic explanations at the end of the film, instead we are John’s companions as he enters the waking nightmare that is his new life. This leads to a stifling atmosphere of confusion, mystery and fear, but oddly enough the movie is never frustrating. Instead it almost feels like our duty to accompany John on his seemingly suicidal quest for revenge – and man is it ever bloody.

Aside from the unique overall feel to Day of Reckoning the biggest highlights are the action and the violence. The fight choreography is absolutely magnificent and if two particular scenes, one in a sporting goods store and the other in a set of tunnels, doesn’t leave you breathless then I’m afraid nothing will. The violence is also so incredibly unforgiving and brutal that the only movie of recent memory that comes even close to matching it is The Raid. Finally, while Van Damme and Lundgren have limited screen time, Adkins does a good job of carrying the movie. While he didn’t do all of his own stunts, he was certainly heavily involved in the action sequences and performed like a pro. It was shocking to hear that he filmed the entire movie with a torn ACL in his leg, an injury that will make sport fans cringe.

Shocking, brutal, and a mind altering drug of it’s own, Universal Soldier: Day of Reckoning may have been my biggest surprise at Toronto After Dark. A first rate action movie with more to offer than pretty explosions and a hail of bullets.

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Toronto After Dark 2012: My Amityville Horror Review (Robert Harding)

Toronto After Dark Film Festival 2012

My Amityville Horror

Starring Daniel Lutz, Laura DiDio, and Neme Alperstein

Directed by Eric Walter

The “Amityville Haunting” seemed to spring out of nowhere. The novel The Amityville Horror: A True Story written by Jay Anson was published in 1977. This brought about many inquisitive minds who decided to look into the events to see if they were true or not. Lawsuits started flying, fingers were pointed and accusations made. In 1979 the Jay Anson book was adapted to film as The Amityville Horror. At this point the “Amityville Haunting” became a national phenomenon.  The original story has spawned over four pieces of written fiction, multiple pieces of written non-fiction, over eight films, not including the most recent one, and has been featured in multiple television shows.  But despite all these pieces of fiction and non-fiction there has continued to be doubts about the validity of the events.

For the first time in 35 years, Daniel Lutz recounts his version of the events surrounding the “Amityville Haunting”  that terrified his family in 1975 via this documentary from Director Eric Walter.  Using the knowledge he gained over many years of research, Walter set about capturing as much information via film as possible. This film is the culmination and product of his efforts.

While this film’s end result is a look at the event from Daniel Lutz’s perspective, it seemed like this was not the original intent of the director.  There is a lot of footage in the film where people are interviewed about the events that took place, the media attention the family received, and of course the 1979 major motion picture, but they aren’t questioned about Daniel specifically.  This would lead me to believe that Eric Walter had originally set out to make a documentary about the “Amityville Haunting” as a whole rather than a study of Daniel Lutz. I’d wager a guess that when Mr. Walter couldn’t get interviews with other family members still living or even footage inside the original house, he decided to shift focus.

The result of this shifting focus is an interesting look at Daniel Lutz and how events both before and after the Amityville situation shaped him into who he is today. The film often takes on an ominous tone and through manipulation via lighting and editing, manages to change the feel and perspective of Daniel to fit the particular situation being discussed in the film. At times he comes across helpless, sometimes distressed, and a few times as menacing.

Walter makes a few documentary mistakes when making this film.  Some may just be my personal preference but many others are things that should be avoided when making a documentary. As with most documentaries, the main source of information comes from interviews. As such, much of the film is what is called a “talking heads” piece. I’ve never been a fan of this type of documentary as it isn’t very entertaining, but it’s also where Mr. Walter makes several mistakes. Instead of sticking to facts, Eric allows hearsay and opinions to unnecessarily enter the film. At times the interviewer leads the interviewee with their questioning and sometimes they go as far as to give their own opinion.  Other times, interviewees are allowed to give their opinions about how things might have been, how circumstances might have affected situations, or what might have happened even if they had no direct involvement, weren’t professionals, or had no actual connection to the events.

But despite what anyone might think about the “Amityville Hauntings” there are a few conclusions clearly apparent from this film: Daniel Lutz does not like his step father George and probably never did; Daniel believes that he and his family were terrorized by something supernatural in their Amityville house; he has been severely affected by the events surrounding George Lutz and Amityville; and finally, we’ll never know the truth.

I’ll give director Eric Walter credit for managing to put together a film despite what I can only imagine were frustrating circumstances. But it’s clear that this was his first attempt at a documentary. Luckily for the Director, he’s very young and has a lot of filmmaking years ahead of himself. My Amityville Horror does show some promising elements which would lead me to believe that Mr. Walter has talent, he only lacks the experience. My Amityville Horror may not be the best documentary film or the film you would expect to see given the subject matter, but it is likely to be the only record on film that we’ll ever get of Daniel Lutz’s account about “The Amityville Horror” and for that alone, it is an important horror movie.

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