CONTEST: Win Tickets for Father’s Day, Fright Nights at the Projection Booth in Toronto

It’s barely been 24 hours since the launch of our first contest at Entertainment Maven, free tickets to End of the Night (part of the Shinsedai Cinema Festival in Toronto), but we have some more exciting news – another contest! This time, the kind people at the Projection Booth in Toronto have given us three, count ’em, THREE double-passes to give away to the June 9th (9:00pm) Fright Nights screening of the disgusting, exploitative, and downright hilarious Toronto After Dark hit, Father’s Day. Astron-6 has put together one of the most exciting experiences you can have at the cinema these days, and you would have to be clinically insane not to try out for this contest. Did we mention that some of the filmmakers will be in attendance and that there will be prizes? Commit yourself to the nearest mental institution or follow these three easy steps to win:

Please note that the contest is only open to individuals who are at least 18 years of age and who are able to be in Toronto for June 9th. Only 1 entry per person. Winners will be chosen at random from a pool of entrants who have completed the three steps. The contest will close at 12pm on Saturday, June 9, 2012.

1. ‘Like’ our Facebook page by clicking this link and then ‘like’, or by going directly to www.entertainmentmaven.com and clicking ‘Like’

2. Follow us on Twitter @entertainmaven

3. E-mail us at entertainmentmaven@gmail.com, putting Father’s Day as the subject, and tell us YOUR name and the name of the holiday that could use an Astron-6 revision!

Winners will be contacted at the e-mail address used to enter the contest.

 

Piranha 3DD Review (Kirk Haviland)

Piranha 3DD (2012)

Starring Danielle Panabaker, Matt Bush, David Koechner, Chris Zylka, Christopher Lloyd, Gary Busey and Ving Rhames

Written by Patrick Melton, Marcus Dunstan and Joel Soisson

Directed by John Gulager

In 2010 director Alexandre Aja delivered a campy, fun-filled, bombastic remake of the 1978 film Piranha. The film has lived on as a guilty pleasure of many, including myself, with its no holds barred and severe tongue-in-cheek attitude. As Alliance films delivers a sequel this weekend the only question that remains is can they recreate the same mix of humor and campy horror again?

Photo Credit: Alliance Films

Piranha 3DD starts with a recap of the first film’s events, via a news report styled montage, which explains what has happened to Lake Victoria since the end of the first film. After a short diversion, in which Gary Busey delivers his two days of work on the film as a doomed hillbilly, we arrive at our new setting, a water park named Big Wet. Maddy (Panabaker) has arrived home from her year at school to discover that her Step Father Chet (Koechner) has transformed her late mother’s water park into an adult themed park complete with ex-strippers as lifeguards and a “adult pool”. Unfortunately for Maddy, Chet owns 51% of the park, she has no option but to help get set up for the new season. After a comically bad attack on a pier (that sadly is not played for laughs) Maddy, her ex-boyfriend, Deputy Sherriff Kyle (Zylka), and her geeky best friend that has been in love with her for years, Barry (Bush), track down Carl Goodman (Lloyd from the first film). Goodman tries to explain the implausible premise of the Piranha attacking in a water park and warn the group to shut the park down prior to the big season opening the next day. Of course this does not happen and chaos, including an extended David Hasselhoff cameo as himself and the return of Deputy Fallon (Rhames), reigns as the park runs red with blood.

Photo Credit: Alliance Films

Piranha 3DD lacks any of the fun of its 2010 predecessor as it tries to take its ridiculous premise and play it as a straight up horror film. This terrible decision leaves the film devoid of any of the endearing qualities of the first film and deserts the actors in the film to the mercy of this decision and a terrible script. Considering that director Gulager has already shown he can deliver a solid Horror/Comedy with the Project Greenlight winner ‘Feast’, the change in direction in tone is quite disappointing. Panabaker does her best to be the earnest “Good Girl” in the film with the limited material here and manages to escape fairly unscathed. The Kyle/Barry triangle relationship revolving around Maddy is hardly a new one, but it’s handled so poorly here it’s laughable and Zylka’s performance is poorly executed. Lloyd, Rhames and Koechner all deliver exactly what you’d expect here, and no more, we’ve seen these performances before in better films. The rest of the supporting cast is pretty awful here, except possibly Paul Scheer as the also returning Andrew who manages a few laughs. Hasselhoff is actually the funniest part of the film in a self-depreciating cameo as himself, complete with Baywatch theme and slow motion montage.

Photo Credit: Alliance Films

Ultimately the extra D in Piranha 3DD is for disappointment.  It stands as the first major letdown for me this summer as unlike other films (Battleship for example), I held some hope for a fun romp with this one. Piranha 3DD is a definite not recommend and like Battleship is an early contender for worst of lists at the end of the year.

Till Next Time,

Movie Junkie TO

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INSIDE OUT 2012 (Toronto) – Festival Wrap-Up (Paolo Kagaoan)

INSIDE OUT 2012 (Toronto)

The 2012 Inside Out Film Festival revealed their award winners during Sunday night at the closing gala party and posting those winners online the Monday morning after. Among them are audience awards, like the Best Documentary Film or Video going to Vito and the Best Short Film or Video to Baldguy. Other award winners are for movies I missed during the festival like She Said Boom!: The Story of Fifth Column, and Margarita.

The TIFF Bell Lightbox has been the home to the festival since last year and it’s nice to see familiar and welcome faces in the lines. The hardest movie I had to get into was the English movie Stud Life and with good cause. The audience was laughing it up as the movie shows the awkward encounters of a complex tomboyish lesbian of colour. Most movies in this year’s roster are about HIV or Scandinavia, the movies about the former belonging to the documentary genre. There are also the overlaps between Hot Docs and Inside Out, as Call Me Kuchu is in both festivals’ selection. Fortunately, that’s not the only topics that this festival has to offer. Sunday May 20th was also a good day, having a triple-bill that made my emotions run from optimism to excitement – don’t worry everyone, I know how to control myself – to visceral shock, not that the latter is a bad thing. There are also many selections portraying or capturing young gay men, which are the opposite of the festival’s demographic. Yet I also wish that there were many people of my generation or younger because those groups aren’t exposed to our diverse stories.

But preaching aside, here is my top five.

Immediate Boarding

Vito

Boy Scandinavia (Specifically A Day in the Country, and Baldguy)

Positive Youth

Bullhead

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CONTEST: Win Tickets for End of the Night at the Shinsedai Cinema Festival in Toronto

Shinsedai Cinema Festival (Toronto)

End of the Night (2011)

Starring: Kuniaki Nakamura, Nami Komiyama, Masayuki Shionoya

Directed by Daisuke Miyazaki

We have some very exciting news at Entertainment Maven – our first contest! Thanks to the folks at the Shinsedai Cinema Festival we have three, count ’em, THREE double-passes to give away to the July 14th (Sat. 7pm) screening of End of the Night at The Revue Cinema in Toronto, part of the Shinsedai Cinema Festival taking place from July 12th – 15th, and co-presented by CINSSU, the Cinema Studies Student’s Union of the University of Toronto. It’s easy to win, just follow the three easy steps below.

Please note that the contest is only open to individuals who are at least 18 years of age and who are able to be in Toronto for July 14th. Only 1 entry per person. Winners will be chosen at random from a pool of entrants who have completed the three steps. The contest will close at 11pm on Tuesday, June 12, 2012.

1. ‘Like’ our Facebook page by clicking this link and then ‘like’, or by going directly to www.entertainmentmaven.com and clicking ‘Like’

2. Follow us on Twitter @entertainmaven

3. E-mail us at entertainmentmaven@gmail.com, putting End of the Night as the subject, and tell us YOUR name and the name of your favourite cinematic assassin!

Winners will be contacted at the e-mail address used to enter the contest.

Advance tickets for the Shinsedai festival go on sale June 21st. Screenings will take place at The Revue Cinema.

Synopsis: After sociopathic hitman Tamegoro (Masayuki Shionoya) coldly dispatches a young married couple he decides to take something home from the bloody murder scene – the couple’s infant boy. Tamegoro raises this boy, Akira (Kuniaki Nakamura) as his own son and trains him from boyhood to become an equally lethal killer. Dead-eyed and with nerves of steel Akira takes over the family business, but what will happen when he comes face to face with Yukine, a young woman who survived one of his decade old hit jobs? Will the resulting crisis of conscience sever the link between father and son? And what path will Akira choose?

This is the central conflict behind first time feature filmmaker Daisuke Miyazaki’s neo-noir drama End of the Night, a crime-filled examination of nature versus nurture. Like a 1960’s Nikkatsu action film filtered through the deadpan aesthetic of Takeshi Kitano End of the Night both celebrates and subverts its genre origins, boldly updating the iconic image of the cinematic lone gunman. Akira’s brutal journey is brought to life not only by Miyazaki’s remarkable filmmaking talent, but also through the skill of veteran cinematographer Akiko Ashizawa, whose previous credits include Kiyoshi Kurosawa’s Tokyo Sonata and Retribution.

Director’s bio: Born in Yokohama in 1980, Daisuke Miyazaki studied at Tokyo’s Waseda University. In the summer of 2004 he participated in a filmmaking program in Tokyo run by New York University. The resulting film, The 10th Room, won the Christine Choi Award at NYU’s KUT Film Festival. Since then Miyazaki has earned praise for his 2006 short film Love Will Tear Us Apart, as well as working with a number of acclaimed filmmakers. Miyazaki has worked as a production design assistant on Leos Carax’s 2008 film Meld and as the trainee assistant director on Kiyoshi Kurosawa’s 2008 film Tokyo Sonata. End of the Night is his first feature film.

Snow White and the Huntsman Review (Kirk Haviland)

Snow White and the Huntsman (2012)

Starring Charlize Theron, Kristen Stewart, Chris Hemsworth, Sam Claflin and Bob Hoskins

Written by Evan Daugherty, John Lee Hancock and Hossien Amini

Directed by Rupert Sanders

2012’s second reinvention of the classic Snow White tale, Snow White and the Huntsman, arrives in theaters this week hoping it can knock Will Smith out of the top slot. The movie unabashedly borrows from a multitude of sources, a more apt title may be Snow White and the Neverending Story of the Fellowship of the Chronicles of Narnia, but this is not necessarily something to be reviled as it produces a movie much better than my expectations.

We start with a Hemsworth narrated prologue in which we hear the origins of this version’s Snow White character. Snow White is a princess whose mother has passed away while she was still a child. Her father, the King, is then tricked into marrying the villainous Ravenna (Theron) who immediately betrays the King and assumes the throne with the help of her brother. The young Snow attempts to flee with the help of her childhood friend Matthew and his father, only to be thwarted. After years of imprisonment, the older Snow White (Stewart) is recognized by the legendary mirror on the wall as being the fairest of them all and the cause of Ravenna’s downfall. It’s when she is to be delivered to the Queen for execution that Snow manages an escape. Ravenna forces the Huntsman (Hemsworth) to go after her and he reluctantly agrees though he has no love for the queen.  The Huntsman quickly discovers where Snow White is but becomes her protector, not her executioner. En route to one of her Father’s supporters, Matthew’s father, Snow encounters many including the Dwarves (Hoskins and a litany of English actors I will not ruin the surprise of here), Fairies, a mystical Elk and many more. The group, as she is now joined by the Elves in her journey, are pursued relentlessly by a group led by Ravenna’s brother Finn (Sam Spruell) and a group of followers including the also now grown Matthew (Claflin). The film continues through the Apple betrayal, a much different source this time around, all the way to final battle sequence for the kingdom at the end.

Snow White and the Huntsman succeeds in delivering the fun, popcorn munching experience that last month’s Battleship so clearly failed in doing. Charlize Theron is completely over the top here and enjoying every minute of it. She manages to bring gravitas to the role and her ultimate conclusion is very satisfying. Kristen Stewart manages to do nothing different than any of the Twilight pics, but even though she is playing the titular role in the film, her dialogue is kept to a minimum. She does deliver one the most underwhelming and lacklustre ‘rousing battle speech’ sequences in film history, but ultimately her performance is not poor enough to ruin the experience. Hemsworth does some fine work here and is on quite a roll right now with Cabin in the Woods and Avengers already out this year (and both of those are clearly superior to this, see the links for reviews). His Huntsman actually carries some emotional impact that a lesser actor cast for mere looks would have completely lost in translation. The dwarves are a fun reveal and almost all are recognizable faces.

I mentioned before that the film borrows freely from other films, like having identical shots to The Fellowship’s trek through identical locations from the first Lord of the Rings film and a “dark woods” sequence that plays out very similar to the Swamp of Sorrows from Neverending Story. In fact the environmental impact from Ravenna’s rule is reminiscent of both films, with Ravenna pacing in here castle reminiscent of Saruman in his tower. That said the effects in this are solid, one sequence involving a Troll I thought was especially effective, and the fact that the film avoids one of those uber sappy sequences with Snow and one of her protectors that films like these almost always includes works for me a great deal.

Ultimately you could do a lot worse in your Cineplex this weekend, Snow White and the Huntsman is a recommend, not a strong recommend, but a recommend none the less.

Till Next Time,

Movie Junkie TO

Make sure to keep up with what’s going on at Entertainment Maven by liking our Facebook page and having updates delivered right to your Facebook News Feed. It’s the only way to stay on top of all of our articles with the newest blockbusters and all the upcoming films and festivals in Toronto.

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